James Bailey, tenor

Tenor James Bailey, a native of Baltimore, has sung leading roles with several regional opera companies including Greensboro, Annapolis, and Summer Opera at Catholic University, and National Opera, based in Raleigh, NC.  These roles include, Ferrando, Lindoro in Rossini’s L’Italiana in Algieri, Nemorino, Rinuccio, and both Dr. Cajus and Fenton in Verdi’s Falstaff.  Mr. Bailey has also been featured in secondary roles with Des Moines Metro Opera, Baltimore and The Washington Opera companies.  He has appeared in TWO’s productions of Susannah, La Traviata, Baby Doe, and Roméo et Juliette, as well as The Crucible by Robert Ward.  Mr. Bailey also appeared as Reverend Parris in The Crucible for the Lyric Opera of Cleveland. James has most recently appeared with Baltimore Opera as the Fourth Jew in Strauss’ Salome, and Trin in Puccini’s La Fanciulla del West.  Mr. Bailey has concertized throughout the Baltimore-Washington area in various works by Haydn, Händel, Mozart, Rossini, Saint-Saëns and Orff.  He is a recipient of a Master’s Degree from the Peabody Institute of the Johns Hopkins University, where he studied voice with Phyllis Bryn-Julson. While Mr. Bailey maintains a private voice studio, he is also a member of the voice faculty at Howard Community College.

Judith Cavendish, soprano

Soprano Judith Cavendish, a native of Huntington, WV, received her Bachelor’s and Master’s Degree in Voice from Marshall University.  Her early operatic experience was with the West Virginia Opera Theater in Charleston, in the roles of Lucy in The Telephone, Lauretta in Gianni Schicchi, Letitia in Old Maid and the Thief, Rosina in Il Barbiere di Siviglia, Violetta Valery in La Traviata, Rosalinda in Die Fledermaus and Cio-cio-san in Madama Butterfly.  Her principal voice teachers were Jane Hobson at Marshall, Helen Laird at the University of Cincinnati’s College-Conservatory of Music, and Margaret Hoswell of the Manhattan School of Music.

Ms. Cavendish was a regional finalist in the Metropolitan Opera Auditions and made her national operatic debut in 1978 with Atlanta Lyric Opera, singing the role of Senta in Der fliegende Holländer, which resulted in a William Matheus Sullivan Foundation award. She returned to Atlanta for the role of Irene in Wagner’s Rienzi, and then to Tulsa for Helmwige in Die Walküre.  Also an accomplished concert singer and recitalist, she has performed with the symphonies of New Haven, Ft. Lauderdale, the Tulsa Philharmonic, Pittsburgh’s American Wind Symphony, and the West Virginia Symphony.  She has appeared as Messiah soloist with the Washington Bach Consort, in Haydn’s Creation at the Greenbrier Music Festival, and as Filia in Carissimi’s Jephthe at the Piccolo Spoleto Festival in Charleston, SC.

Ms. Cavendish has performed a number of recitals both on campus and off.  She received her choral conducting training from Dr. David Castleberry, Director of Choral Activities at Marshall University, and Dr. Kathleen Shannon at West Virginia University’s Creative Arts Center, while pursuing work on her DMA in Vocal Performance and Literature from 1998-2000.  At HCC, she is a member of the Voice faculty and conducts the HCC Singers.

Nedje Michelle Douyon, soprano

Nedje Michelle Douyon is a native of Brooklyn, New York who continued her upbringing in Columbia, Maryland.  A former student of Howard Community College, Ms. Douyon obtained her Bachelor of Arts in Music from Clark Atlanta University, GA and her Master of Music degree in Vocal Performance from The Catholic University of America, in Washington, DC.  She has performed as the First Lady in scenes from Die Zauberflöte; as Mother Marie in Dialogues des Carmélites, as Fiordiligi in scenes from Così fan tutte, as well as in various concerts and recitals on the East Coast.  She has performed in Master Classes by John Shirley-Quirk at Howard Community College and John Aler at The Catholic University of America.  Nedje was a featured performer in the inaugural season of HCC Little Patuxent Opera Institute, and sang in the Gala 30th Anniversary Season of The Summer Opera Theatre Company’s production of Bizet’s Carmen.  She has competed in the National Association of Teachers of Singing Competition, the Metropolitan Opera National Council Audition, and the Lotte Lenya Competition for Singers.  Her principal voice teachers include Dr. Deborah Kent and Lori Ann Christian.  A former elementary music teacher in Prince George’s County Public Schools, Nedje is currently an adjunct faculty member at Howard Community College teaching a course in African American Music as well as private voice lessons.

Dr. Deborah Kent, soprano

Dr. Deborah Kent is Professor of Music and former Director of both The Music Institute and the Department of Music at Howard Community College, where her duties include serving as advisor to music students, coordinating voice and related activities, and teaching applied voice lessons, Music Appreciation, and Music Fundamentals.  Her legacy as Director of Music was the revitalization of the HCC music program through close examination of coursework and the promotion of growth through the college’s performing ensembles, a project that resulted in many new credit courses and several new ensembles.  As a result of this effort, the HCC Music Department received its accreditation from the National Association of Schools of Music in 2009.  In 2003, Dr. Kent further extended the HCC music program outreach by starting a community music school, the Music Institute.  Through it a population that would not be reached through the credit program is served.  With the formation of the non-credit program, HCC’s music department motto, “Music for a lifetime” is fulfilled, serving students ranging in age from infants through retirees.

Dr. Kent has served two terms as President of CHEM, the Council for Higher Education in Music, a statewide organization of music department representatives that promotes dialogue and coursework articulation between institutions of higher learning.  During her tenure in that organization, she facilitated completion of an articulation of Music Theory and Eartraining requirements that was approved by MHEC, the Maryland Higher Education Commission.  She is a former president of the Peabody Conservatory Alumni Association and member of the Johns Hopkins University Alumni Council.  Prior to moving north, Dr. Kent served on the music faculty at Northwest Mississippi Community College in Senatobia, MS.

Dr. Kent received a Bachelor of Music degree in Theory/Composition and Master of Music in Vocal Performance from Mississippi College.  She later received the Doctor of Musical Arts in Vocal Performance from the Peabody Conservatory of Music.  She is a member of NATS, the National Association of Teachers of Singing, and is a much sought after voice teacher, attracting students from all over the Mid-Atlantic region.  A dramatic soprano who has performed concert and operatic literature from the seventeenth century through today, she considers voice with orchestra literature and the operas of Verdi, Puccini and Wagner her specialties, as well as more intimate art song literature.

Dr. Lorriana Markovic, soprano

Lorriana Markovic, soprano, is an accomplished performer of opera, art song, and oratorio, specializing in the interpretation of Russian vocal music.  Dr. Markovic received her D.M.A. in Opera/Vocal Performance from the University of Maryland, College Park, where she presented a three part recital series entitled “The Evolution of the Russian Romance Through the Nineteenth and Twentieth Centuries”.  She is the recipient and winner of many awards and competitions including Vocal Arts Society Discovery Series in DC, Pittsburgh Concert Society, Concours d’Interprétation de Musique Tchèque et Slovaque in Montreal, a Russian Scholarship to study in Moscow from the University of Pittsburgh, and has been presented in recital by The Steinway Society by WQED-FM, Pittsburgh.

Dr. Markovic has performed throughout the United States, Europe, and Russia.  Locally, she has performed at the Walters Art Museum, BlackRock Center for the Arts, Music in the Great Hall, and with the Opera Theater of Northern Virginia.  Her roles include Fiordiligi, Giulietta, Tatyana, Tosca, Countess, Marschallin, Mimi, and Musetta.